ANTHOLOGIES: PEDAGOGY
- “Attributes” (writing prompt) in Rita Banerjee and Diana Norma Szokolyai, eds., CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing: C&R Press: 2018
ANTHOLOGIES: POEMS
- “The Jail” and “Kineses” in Emily Jane Young and Dani LeBlanc eds., Portland, Maine: Pine Pitch Press: (forthcoming)
- “Floriculture,” in Aimee Harrison, ed. St. Rococo’s (forthcoming)
- “The Sky as Vault” in Simone Muench, Dean Radar, Sally Ashton, and Jackie K. White eds., They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing. Black Lawrence Press: 2018
- “December” and “Too Much Information” in Emily Jane Young and Dani LeBlanc eds., Be Wilder. Portland, Maine: Pine Pitch Press: 2015 (pgs 37, 38)
- “Third Eye Darkly” in Jane Ormerod, Thomas Fucaloro, David Lawton, George Wallace, Russ Green, and Chavisa Woods eds., Before Passing. New York: great weather for MEDIA: 2015 (pg 72)
- “Confessions of a single housewife who is also a gay man” and “Half” in Kathleen Flenniken, Marjorie Manwaring, Gerry McFarland, Devon Musgrave, Joel Panchot, John Pierce, and Ron Starr eds., Floating Bridge Review #5: Seattle: Floating Bridge Press: 2012. (pgs 61-62)
- Darkening” in Jameson Currier, ed., Between: New Gay Poetry. New York: Chelsea Station Editions: 2013 (pgs 61-62)
- “Trespass with Horsefly” in Robert Brewer ed., 2014 Poet’s Market. Cincinnati: Writer’ Digest Books: 2013 (pg 169)
- “This unmade bed” in Curtis Perdue and Katherine Factor ed., interrupture: best of years one & two: 2013 (pg. 10)
- Concerning honey” in Aimee Herman ed., The Body Electric: New York: Ars Omnia Press: 2013 (pgs 86-89)
- “About more” in Jessie Lendennie ed., Dogs Singing: A Tribute Anthology: Knockeven, Ireland: Salmon Poetry: 2010. (pg 334)
EPHEMERA
- Architrave Press: “She Covers Her” (ephemera, edition 10), Spring, 2016
- Gazing Grain: “Amour Fou” and “Untitled” (miniature): 2015
- Float Press August Postcard Festival: “She is in August…” (postcard): August, 2012
COLLABORATIONS WITH DEREK POLLARD
- Badlands (#2: Fall 2011): “An Exquisite Grammatology”
- The Chariton Review (36:1: Spring, 2013) “The Street, A Jetty”
- inter|rupture (#2: June, 2011): “This Unmade Bed” and “Among Our Darkness”
- inter|rupture (#5: 2012): “The Darkest Swan
- Muse & Stone (Fall, 2010): “Shutter
- Ozone Park Journal (Winter, 2013): “The City of Our Accord”
- Vinyl (#8, 2013): “Cogito” 751 Magazine (#6, 2012): “The Sky as Vault”
- “The Sky as Vault” in Simone Muench, Dean Radar, Sally Ashton, and Jackie K. White eds., They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing. Black Lawrence Press: 2018
OTHER COLLABORATIONS
- The Bakery: “On Disappearing” (collaboratively written with Patrick Armstrong)
- Diagram (11.1: 2011): “360” (collaboratively written with Steven DeMaio)
- Wheelhouse Magazine (#8: Summer, 2009): “A kitchen with no oven” collaboratively written with Caroline Mercurio
- The Whistling Fire (2012): “Those Pines” (collaboratively written with Jeffrey Perkins)
OTHER POEMS
- 2nd & Church (#6, Summer 2014): “Somewhere in West Glover”
- 2River (Winter 2017): “Anesthesia” and “Devices and Misogyny”
- American Letters & Commentary (#24, 2013): “Quicksand & Sinkholes”
- Arabesque Review (Vol. 3, #1: 2007): “Heart on Sleeve” and “White Space”
- The Barefoot Review (Winter, 2012): “Untitled (Too much of inside can…)” and “Untitled (That one can inward only so far…)”
- Beauty/Truth: A Journal of Ekphrastic Poetry (Spring/Summer, 2008): “Eine Klein Nachtmusik”
- Buddhist Poetry Review (#4, Spring 2012): “Marcus”
- Café Review (Vol 4.: Spring, 1993) “Inverse Insanity”
- Café Review (Vol 6.: Fall, 1995) “Where Men and Animal Collide”
- Café Review (Winter, 2007): “In the event”
- Chelsea Station (#1: 2011): “Amour Fou”
- Clockhouse (#3, 2015): “A way to understand that isn’t direct”
- Cobalt (#1, 2012): “About our beginning”
- Conway Daily Sun (Vol 4: #49: March 19, 1992) “Camus”
- dew magzine (Vol 1: #1 October 1993): “Anxiety”
- Dirty Napkin (5.1: Winter 2012): “Untitled (The direction you look is what I call the future…)” and “Untitled (Mid-January maple and the veins on…)”
- dislocate (#8: Summer 2012): “What wasn’t said”
- Drunken Boat (Issue #10: Spring, 2009): “Apparition Street”
- Eucalyptus: A Journal of the Broken Narrative (Vol. 2: 2006-2007): “The Barn and the Yard” and “Number 17”
- Exquisite Corpse (#14: Summer, 2004): “Oracles”
- failbetter (Issue 40: Summer, 2011): “April: the shape of: a shadow of”
- Felt Sun (Winter, 2011): “A brown dwarf star”
- Folio (Spring 2015): “Concerning Minerals”
- Fringe Magazine (Issue 25: Winter, 2011): “Untitled (A warm autumn breeze. Purification, the act of…),” and “Untitled (Even though I keep the thermostat on 60 degrees…)”
- Gazing Grain: “Amour Fou” and “Untitled” (miniature): 2015
- Glass: A Journal of Poetry (September, 2017): “Repetition”
- Hello Mr. (#9, 2017): “La Identidad”
- HIV Here & Now (September 18, 2015): “Concerning Honey” http://www.hivhereandnow.com/poems/poem-106-%C2%B1-september-18-2015/
- Hunger Mountain (#13: Winter, 2008-2009): “As a Child Mountains Surrounded Him” and “Resemblance of He”
- Inman Review (#5, 2013): “4 ways of needling adverbs,” “An imaginary conversation,” and “Relational problems with art #1”
- Inman Review (#1: Fall, 2009): “Between myself and there” and “Sun in my eye”
- Interim (Vol 30: Issue #1 & #2, 2013): “Before the Door” and “Fuck Face”
- Lingerpost (2013): “Conductors”
- Literary Mama (June, 2010): “Daughter/Mother” and “A hare at dusk”
- Long Dumb Voices (#1, January, 2016): “From a Tree” and “Rain as Interlude”
- Matter Monthly (#10, 2015): “To make order meaningful by subtracting from the ruins”
- Midway Journal (Vol. 9, #2, 2015): “Assuage/A Menagerie”
- Moledro Magazine (#4, December 2016): “Irreversible, the Jacket, and Knowing”
- The Ocean State Review (Vol. 1, No. 1: 2011): “Listening to the Be Good Tanyas on Grassy Hill Radio”
- The Original Van Gogh’s Ear Anthology (2014): “Plot”
- Pacifica Literary Review (#6, Summer 2015): “Branching” (winner: Pacifica Literary Review Look and Leap Contest)
- Paper Street Press (Vol. III, No 2: Fall, 2006): “Nor’Easter at Dusk”
- Paramour (Vol 1: #4: Summer/Fall 1994) “Confessions of an Erogenic”
- Pilgrimage Magazine (#39, 1&2: 2015): “Recover Yesterday”
- Plenitude Magazine (#1: Fall, 2012): “Intersectional” and “The Essence of Both”
- Poetry Midwest (#14: Fall 2005): “Obstruction” and “On a Fresh Sidewalk, a Genuflecting Cement Mason”
- Prose-Poem Project (Vol. #2, Issue #2: Fall, 2011): “Relational problems with art #2”
- Queen City Review (Fall, 2009): “Sunday Windows” and “When night lit up when”
- The Review: Words and Images (1995): “Between Songs”
- RFD (No 79: Autumn 1994): “Another Bee’s Chrysanthemum”
- Right Hand Pointing (#15: 2007): “From Above”
- The Southampton Review (Winter/Spring 2016): “Dis/Solutions”
- Southern Humanities Review (Vol. 44, #3: Summer, 2010): “Fable for Eve”
- Stylus Poetry Journal (Australia) (#23: October 2006): “Openings:”
- Sugar House Review (#2: Spring, 2010): “Untitled (Dear Nadia, due to continued silence, I’m under…)” and “Untitled (It’s now about the grand kids I haven’t provided…)”
- Technology of the Sun (# 4: 1993) “Camus” and “Turning Left”
- threecandles (June 2007): “Numbers”
- Vitality (2015): “On Circumambience”
- Wheelhouse Magazine (#8: Summer, 2009): “Rouge & Lipstick” and “How He Beds Alone”
- Wheelhouse Magazine (#5: Winter, 2008): “Dear Pier Soderini,”
- White Mountain Poets Society (Summer, 1993) “Camus”
- Wicked Alice (Fall, 2009): “Untitled (Denim holds a hefty girl…),” “Untitled (Lily, a friendly stranger, says “No one has…)”, “Untitled (Desdemona dear, had your parents not read your story…),” and “Untitled (Dear Kate, it doesn’t matter that the almost…)”
- Wilderness House Literary Review (Vol. I, #1, 2005) “Dear Mr. Schuyler” and “Options:”
- word for/word (#21, Winter 2012): “A man called one field”