misc.: other poetry publications

ANTHOLOGIES: PEDAGOGY

  • “Attributes” (writing prompt) in Rita Banerjee and Diana Norma Szokolyai, eds., CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing: C&R Press: 2018

ANTHOLOGIES: POEMS

  • “The Jail” and “Kineses” in Emily Jane Young and Dani LeBlanc eds., Portland, Maine: Pine Pitch Press: (forthcoming)
  • “Floriculture,” in Aimee Harrison, ed. St. Rococo’s (forthcoming)
  • “The Sky as Vault” in Simone Muench, Dean Radar, Sally Ashton, and Jackie K. White eds., They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing. Black Lawrence Press: 2018
  • “December” and “Too Much Information” in Emily Jane Young and Dani LeBlanc eds., Be Wilder. Portland, Maine: Pine Pitch Press: 2015 (pgs 37, 38)
  • “Third Eye Darkly” in Jane Ormerod, Thomas Fucaloro, David Lawton, George Wallace, Russ Green, and Chavisa Woods eds., Before Passing. New York: great weather for MEDIA: 2015 (pg 72)
  • “Confessions of a single housewife who is also a gay man” and “Half” in Kathleen Flenniken, Marjorie Manwaring, Gerry McFarland, Devon Musgrave, Joel Panchot, John Pierce, and Ron Starr eds., Floating Bridge Review #5: Seattle: Floating Bridge Press: 2012. (pgs 61-62)
  • Darkening” in Jameson Currier, ed., Between: New Gay Poetry. New York: Chelsea Station Editions: 2013 (pgs 61-62)
  • “Trespass with Horsefly” in Robert Brewer ed., 2014 Poet’s Market. Cincinnati: Writer’ Digest Books: 2013 (pg 169)
  • “This unmade bed” in Curtis Perdue and Katherine Factor ed., interrupture: best of years one & two: 2013 (pg. 10)
  • Concerning honey” in Aimee Herman ed., The Body Electric: New York: Ars Omnia Press: 2013 (pgs 86-89)
  • “About more” in Jessie Lendennie ed., Dogs Singing: A Tribute Anthology: Knockeven, Ireland: Salmon Poetry: 2010. (pg 334)

EPHEMERA

  • Architrave Press: “She Covers Her” (ephemera, edition 10),  Spring, 2016
  • Gazing Grain: “Amour Fou” and “Untitled” (miniature): 2015
  • Float Press August Postcard Festival: “She is in August…” (postcard): August, 2012

COLLABORATIONS WITH DEREK POLLARD

  • Badlands (#2: Fall 2011): “An Exquisite Grammatology”
  • The Chariton Review (36:1: Spring, 2013) “The Street, A Jetty”
  • inter|rupture (#2: June, 2011): “This Unmade Bed” and “Among Our Darkness”
  • inter|rupture (#5: 2012): “The Darkest Swan
  • Muse & Stone (Fall, 2010): “Shutter
  • Ozone Park Journal (Winter, 2013): “The City of Our Accord”
  • Vinyl (#8, 2013): “Cogito” 751 Magazine (#6, 2012): “The Sky as Vault”
  • “The Sky as Vault” in Simone Muench, Dean Radar, Sally Ashton, and Jackie K. White eds., They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing. Black Lawrence Press: 2018

OTHER COLLABORATIONS

  • The Bakery: “On Disappearing” (collaboratively written with Patrick Armstrong)
  • Diagram (11.1: 2011): “360” (collaboratively written with Steven DeMaio)
  • Wheelhouse Magazine (#8: Summer, 2009): “A kitchen with no oven” collaboratively written with Caroline Mercurio
  • The Whistling Fire (2012): “Those Pines” (collaboratively written with Jeffrey Perkins)

OTHER POEMS

  • 2nd & Church (#6, Summer 2014): “Somewhere in West Glover”
  • 2River (Winter 2017): “Anesthesia” and “Devices and Misogyny”
  • American Letters & Commentary (#24, 2013): “Quicksand & Sinkholes”
  • Arabesque Review (Vol. 3, #1: 2007): “Heart on Sleeve” and “White Space”
  • The Barefoot Review (Winter, 2012): “Untitled (Too much of inside can…)” and “Untitled (That one can inward only so far…)”
  • Beauty/Truth: A Journal of Ekphrastic Poetry (Spring/Summer, 2008): “Eine Klein Nachtmusik”
  • Buddhist Poetry Review (#4, Spring 2012): “Marcus”
  • Café Review (Vol 4.: Spring, 1993) “Inverse Insanity”
  • Café Review (Vol 6.: Fall, 1995) “Where Men and Animal Collide”
  • Café Review (Winter, 2007): “In the event”
  • Chelsea Station (#1: 2011): “Amour Fou”
  • Clockhouse (#3, 2015): “A way to understand that isn’t direct”
  • Cobalt (#1, 2012): “About our beginning”
  • Conway Daily Sun (Vol 4: #49: March 19, 1992) “Camus”
  • dew magzine (Vol 1: #1 October 1993): “Anxiety”
  • Dirty Napkin (5.1: Winter 2012): “Untitled (The direction you look is what I call the future…)” and “Untitled (Mid-January maple and the veins on…)”
  • dislocate (#8: Summer 2012): “What wasn’t said”
  • Drunken Boat (Issue #10: Spring, 2009): “Apparition Street”
  • Eucalyptus: A Journal of the Broken Narrative (Vol. 2: 2006-2007): “The Barn and the Yard” and “Number 17”
  • Exquisite Corpse (#14: Summer, 2004): “Oracles”
  • failbetter (Issue 40: Summer, 2011): “April: the shape of: a shadow of”
  • Felt Sun (Winter, 2011): “A brown dwarf star”
  • Folio (Spring 2015): “Concerning Minerals”
  • Fringe Magazine (Issue 25: Winter, 2011): “Untitled (A warm autumn breeze. Purification, the act of…),” and “Untitled (Even though I keep the thermostat on 60 degrees…)”
  • Gazing Grain: “Amour Fou” and “Untitled” (miniature): 2015
  • Glass: A Journal of Poetry (September, 2017): “Repetition”
  • Hello Mr. (#9, 2017): “La Identidad”
  • HIV Here & Now (September 18, 2015): “Concerning Honey” http://www.hivhereandnow.com/poems/poem-106-%C2%B1-september-18-2015/
  • Hunger Mountain (#13: Winter, 2008-2009): “As a Child Mountains Surrounded Him” and “Resemblance of He”
  • Inman Review (#5, 2013): “4 ways of needling adverbs,” “An imaginary conversation,” and “Relational problems with art #1”
  • Inman Review (#1: Fall, 2009): “Between myself and there” and “Sun in my eye”
  • Interim (Vol 30: Issue #1 & #2, 2013): “Before the Door” and “Fuck Face”
  • Lingerpost (2013): “Conductors”
  • Literary Mama (June, 2010): “Daughter/Mother” and “A hare at dusk”
  • Long Dumb Voices (#1, January, 2016): “From a Tree” and “Rain as Interlude”
  • Matter Monthly (#10, 2015): “To make order meaningful by subtracting from the ruins”
  • Midway Journal (Vol. 9, #2, 2015): “Assuage/A Menagerie”
  • Moledro Magazine (#4, December 2016): “Irreversible, the Jacket, and Knowing”
  • The Ocean State Review (Vol. 1, No. 1: 2011): “Listening to the Be Good Tanyas on Grassy Hill Radio”
  • The Original Van Gogh’s Ear Anthology (2014): “Plot”
  • Pacifica Literary Review (#6, Summer 2015): “Branching” (winner: Pacifica Literary Review Look and Leap Contest)
  • Paper Street Press (Vol. III, No 2: Fall, 2006): “Nor’Easter at Dusk”
  • Paramour (Vol 1: #4: Summer/Fall 1994) “Confessions of an Erogenic”
  • Pilgrimage Magazine (#39, 1&2: 2015): “Recover Yesterday”
  • Plenitude Magazine (#1: Fall, 2012): “Intersectional” and “The Essence of Both”
  • Poetry Midwest (#14: Fall 2005): “Obstruction” and “On a Fresh Sidewalk, a Genuflecting Cement Mason”
  • Prose-Poem Project (Vol. #2, Issue #2: Fall, 2011): “Relational problems with art #2”
  • Queen City Review (Fall, 2009): “Sunday Windows” and “When night lit up when”
  • The Review: Words and Images (1995): “Between Songs”
  • RFD (No 79: Autumn 1994): “Another Bee’s Chrysanthemum”
  • Right Hand Pointing (#15: 2007): “From Above”
  • The Southampton Review (Winter/Spring 2016): “Dis/Solutions”
  • Southern Humanities Review (Vol. 44, #3: Summer, 2010): “Fable for Eve”
  • Stylus Poetry Journal (Australia) (#23: October 2006): “Openings:”
  • Sugar House Review (#2: Spring, 2010): “Untitled (Dear Nadia, due to continued silence, I’m under…)” and “Untitled (It’s now about the grand kids I haven’t provided…)”
  • Technology of the Sun (# 4: 1993) “Camus” and “Turning Left”
  • threecandles (June 2007): “Numbers”
  • Vitality (2015): “On Circumambience”
  • Wheelhouse Magazine (#8: Summer, 2009): “Rouge & Lipstick” and “How He Beds Alone”
  • Wheelhouse Magazine (#5: Winter, 2008): “Dear Pier Soderini,”
  • White Mountain Poets Society (Summer, 1993) “Camus”
  • Wicked Alice (Fall, 2009): “Untitled (Denim holds a hefty girl…),” “Untitled (Lily, a friendly stranger, says “No one has…)”, “Untitled (Desdemona dear, had your parents not read your story…),” and “Untitled (Dear Kate, it doesn’t matter that the almost…)”
  • Wilderness House Literary Review (Vol. I, #1, 2005) “Dear Mr. Schuyler” and “Options:”
  • word for/word (#21, Winter 2012): “A man called one field”